![]() Here’s a good one to really think about: because you’ve focused on condensing your story, you may be under the impression that only a partial teaser of a sentence will do. The thing that your protagonist acts against, the biggest obstacle they have to overcome, is a major part of the story: the impending alien invasion, the descent into madness, or the ongoing dispute with awful neighbors that drives the story forward. Piggybacking off the previous question, there's another major component to any story premise: the main conflict. ![]() Does Your Logline Define The Main Conflict? To make sure you're using the best possible version of your logline, see to it that your protagonist is actively accomplishing something within. So, what's the big action that your hero takes? Do they embark on a quest to save the world, or do they enter a contest to win their dream home? Whatever it is, it's an action that is the centerpiece here, not just a passive character. But a story is never just about a person - it's about what that character does, and this is still true with the logline, as a condensed form of your story. However, without making sure that you have a protagonist in your logline, it's technically incomplete. Whatever story you're trying to tell, there's a chance you could start to get lost in the world you've created. To accomplish that, there are five questions you can ask yourself - and five easy fixes that can be applied in the case that something isn't optimal just yet! 5 Steps to Fix Your Logline Does Your Logline Have A Character Taking Action? To benefit from these uses, though, your logline needs to be in its best possible form. This is also why loglines can serve as the best starting point for outlining a story in the first place. If ever you find that your story, vast as it may be, has lost its direction, its focus, then the logline is a great place to remind yourself what the main focus should be. The other reason you want a bulletproof logline is this: the overall story is informed by one central premise, which has one central character/group of characters and one central conflict within a specific world. Get them interested first, using a logline that stands out and feels just as compelling as your story does. But don't bombard them with that all at once. If the smallest, most condensed morsel of your idea catches someone's interest, then they'll later ask for a one-sheet, a treatment, or even the script. That's why having a logline as one terse sentence that succinctly describes your story is the perfect way to communicate your idea with someone who has little time to spare. But industry professionals value their time - and that means you should, too. Yes, of course you want to get something out of it: a pitch meeting, a sale, a brainstorm session. More than anything, your goal with any producer, an executive, or even just some fellow writers is to use their time wisely. Enter Now | Final Deadline in 3 days Why Should A Logline Be Bulletproof? ![]()
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